Beyond Derrynane: A Novel of Eighteenth Century Europe
Beyond Derrynane traces the largely-fictional lives of several of the O’Connell family of Derrynane in County Kerry, Ireland in the mid-to-late eighteenth century, focusing on that of the Gaelic poet, Eileen O’Connell.
Wed at age sixteen, solely for the purpose of protecting and advancing the interests of the O'Connells - one of the few still-intact families of the now-fallen "Gaelic Aristocracy" - she is widowed before her seventeenth birthday. As resolute as she is beautiful, Eileen refuses to yield to yet another arranged marriage, but rather, through the auspices of her uncle, General Moritz O’Connell of the Imperial Austrian Army, she spends the ensuing richly-dramatic and eventful years at the court of the Empress Maria Theresa in Vienna; Eileen’s ebullient elder sister, Abigail, also serves at court. Together with the General, they experience a complex life at the pinnacle of the Habsburg Empire. 
Beyond Derrynane has been described as being a multi-layered story, rich in historical and dramatic detail, populated by an array of colourfully-complex and memorable characters, whose lives and stories play out in a series of striking settings.
Two Journeys Home: A Novel of Eighteenth Century Europe
It's now the late-Summer of 1767. As the eagerly anticipated sequel to Beyond Derrynane opens, having spent almost six eventful years at the court of Maria Theresa, Eileen O’Connell has availed herself of a fortuitous opportunity to travel back to Ireland.
Her vivacious personality matched only by her arresting physical presence, Eileen returns to Derrynane this time not as a teenage widow but, rather, as one of the most recognised figures at the glittering Habsburg court. Before departing for Vienna several months later she experiences a whirlwind romance, leading to a tumult of betrayal and conflict within the O’Connell clan.
Abigail, rather than being eclipsed by her colourful younger sister, has instead ascended to the vaulted position of principal lady-in-waiting to Empress Maria Theresa. No longer "just a girl from deep in Kerry," she is a beloved - and powerful - figure at court.
Hugh O’Connell, the youngest of the large family, leaves behind waning adolescence and a fleeting attraction to the youngest archduchess when he begins a military career in the Irish Brigade of the armies of Louis XV. But, perhaps as a foreshadowing of his adult life and career, more royal entanglement awaits him in France …
In the continuing saga, the O'Connells will confront intrigue, romance - even violence. Yet, despite their innate wisdom, cunning and guile, what their futures hold remains to be seen.
With his uniquely-descriptive prose, Kevin O’Connell again deftly weaves threads of historical fact and fancy to create a colourful tapestry affording unique insights into the courts of eighteenth-century Catholic Europe as well as Protestant Ascendancy–ruled Ireland. Watch as the epic unfolds amongst the O’Connells, their friends and enemies, as the tumultuously-dangerous worlds in which they dwell continue to gradually - but inexorably - change.
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Double click here to add text.Bittersweet
Bittersweet Tapestry:
A Novel of Eighteenth Century Europe
A dramatic decade has passed since sixteen-year-old Eileen O’Connell first departed her family’s sanctuary at remote Derrynane on the Kerry coast to become the wife of one of the wealthiest men in Ireland and the mistress of John O’Connor’s Ballyhar – only to have her elderly husband die within months of the marriage.
Unhappily returned to Derrynane, within a year, under the auspices of their uncle, a general in the armies of Maria Theresa, Eileen and her sister, Abigail departed for Vienna and a life neither could have ever imagined – one at the dizzying heights of the Hapsburg empire and court, where Abigail ultimately became principal lady-in-waiting to the Empress herself, whilst Eileen, for nine momentous years, served as governess to the Empress’s youngest daughter – during which time Maria Antonia, whom Eileen still calls ‘my wee little archduchess’, has become Marie Antoinette, dauphine of France, though she continues to refer to her beloved governess as “Mama”.
As Bittersweet Tapestry opens, it is the High Summer of 1770. Having escorted the future Queen of France from Vienna to her new life, Eileen and her husband, Captain Arthur O’Leary of the Hungarian Hussars, along with their little boy and Eileen’s treasured friend (and former servant) Anna Pfeffer are establishing themselves in Ireland.
Their ties to Catholic Europe remain close and strong; in addition to Abigail and her O’Sullivan family and General O’Connell, his wife and young daughter in Vienna, their brother Daniel is an officer in the Irish Brigade of the armies of Louis XV, whilst their youngest brother, Hugh, is studying at École Militaire in Paris, his path to a commission in the Dillons’ Regiment of the Brigade. His gentle Austrian friendship with Maria Antonia having inevitably waned, Hugh’s relationship with the strikingly-beautiful young widowed Princess Marie Thérèse Louise of Savoy is blossoming.
Though happily ensconced at Rathleigh House, the O’Leary family estate in County Cork, being prominent amongst those families which are the remnants of the old Gaelic order in the area, Eileen and Art find that the dark cloud of the Protestant Ascendancy hovers heavily, at times threateningly, over them.
Bittersweet Tapestry is a tale of stark contrasts – between Hugh’s life of increasing prominence amidst the glitter and intrigue of the French court and Art and Eileen’s in English-occupied Ireland – especially as the latter progresses into a dark, violent and bloody tale . . . ultimately involving an epic tragedy, which along with the events leading up to it and those occurring in its dramatic wake, will permanently impact the O’Learys, the O’Connells – and their far-flung circle of family and friends in Ireland and across Europe.
With his uniquely-descriptive prose, Kevin O’Connell again deftly weaves threads of historical fact and fancy to create a colourful fabric affording unique insights into the courts of eighteenth-century Catholic Europe as well as English-ruled Ireland. As the classic story unfolds amongst the O’Learys, the O’Connells, their friends and enemies, the tumultuously-dangerous worlds in which they dwell will continue to gradually – but inexorably – become even more so.
Bittersweet Tapestry joins O’Connell’s well-received Beyond Derrynane and Two Journeys Home as The Derrynane Saga continues – an enthralling epic, presenting a sweeping chronicle, set against the larger drama of Europe in the early stages of significant – and, in the case of France – violent change.
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